Beautiful Freaks poster series, 2024.
Illustrations by the late Dries van den Bril, Nursena Topcuoğlu & Emma Caers
S U B, various printed matter 2024.
Waking Life ‘Marca Te’, don’t call it merchandising, 2024.
icw Ward Vossaert, Liselotte Van Daele, Sam Gunst
Ciel ‘Sada’s Dream’, Suzie, 2024.
Adriaan De Roover & Lotte Dodion ‘To Become Liquid Again’, Midlife, 2022.
Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, AfterClub, 2022.
Tramp Art Catalogus, A4, Aboli Bibelot, 2023.
Photography by Jente Waerzeggers
C12, Identity, 2021-2023.
Unison ‘Moments in Unity’ 2LP, We Play House, 2022.
Aroma di Amore ‘Zwarte Doos’, folded A2 and 8-page booklet,
Onderstroom Records, 2022.
‘We Come One’
has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention.
For some it has become insufficient to have lived a moment, there needs to be proof of it.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.
Atomium Electronic Free Festival, identity, 2022.
Unselected logotype, MUGA Records, 2022.
Silkscreened patches in various sizes, Horst lab x HelloMe, 2021.
icw James L. Hublell
nacht, identity, 2019-2021.
Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, 2022.
more
WE COME ONE
The once-cherished experience of unity — present amongst likeminded spirits in a nightclub — has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention. For some it has become insufficient to have lived a moment, there needs to be proof of it. Even though there’d be no-one to doubt such experience.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.
Tramp Art Catalogue
90p. Ringbinder, A4, 2022.
more
Aroma di Amore — Zwarte Doos8p. Booklet 158 × 216 mm / Folded A2, 2022.
more
MM019 — To Become Liquid AgainCasette, 2022.
More
nacht season 5Poster, B2, 2021.
more
MUGA RecordsLogo, 2022.
More
nacht ‘Offworld Senses’
2-color Risograph, A3, 2021.
more
nacht
Logo, 2021.
more
HorstLab w/HelloMe Studio and Nadine GoepferPatches, various sizes, screenprint, 2019.
In collaboration with James L. Hubell
More
Eddie ‘Flashin’ Fowlkes — DeepcoverLogo, Vinyl / Centerlabels, 2022.
more
nacht season 4
Poster, B2, 2020.
more
Labora
Identity sketch, 2019.
more
Minima Docta: Matangi/Maya/M.I.A.
Poster, A0, 2019.
More
C12 BrusselsIdentity, 2021–2023.
More
Minima Docta: De SculpturaPoster, A0, 2019.
More
Minima Docta: 2 Sterke LUCA Ateliers
Poster, A0, 2019.
More
Uni Son — Moments in Unity Vinyl / Centerlabels, 2022.
more
Nyctophilia
2019-2021
Nyctophilia is a bespoke typeface developped for nacht a clubbing space located in an old bus depot. It goes hand in hand with their graphic identity which is based on the illuminated pixel grid of LED bus signage. The few diagonals used within the typeface deviate from strict pixel fonts, thus giving the font it’s personality.
It currently features a Regular and Bold weight + a corresponding Monospaced style.
The recently updated logo has also been upgraded to a variable font, ranging from Thin to Balloon. Making these typefaces in variable format enhances the modularity of the whole identity.
Client: nacht
Nyctophilia is a bespoke typeface developped for nacht a clubbing space located in an old bus depot. It goes hand in hand with their graphic identity which is based on the illuminated pixel grid of LED bus signage. The few diagonals used within the typeface deviate from strict pixel fonts, thus giving the font it’s personality.
It currently features a Regular and Bold weight + a corresponding Monospaced style.
The recently updated logo has also been upgraded to a variable font, ranging from Thin to Balloon. Making these typefaces in variable format enhances the modularity of the whole identity.
Client: nacht