Beautiful Freaks poster series, 2024.
Illustrations by the late Dries van den Bril, Nursena Topcuoğlu & Emma Caers
S U B, various printed matter 2024.
Waking Life ‘Marca Te’, don’t call it merchandising, 2024.
icw Ward Vossaert, Liselotte Van Daele, Sam Gunst
Ciel ‘Sada’s Dream’, Suzie, 2024.
Adriaan De Roover & Lotte Dodion ‘To Become Liquid Again’, Midlife, 2022.
Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, AfterClub, 2022.
Tramp Art Catalogus, A4, Aboli Bibelot, 2023.
Photography by Jente Waerzeggers
C12, Identity, 2021-2023.
Unison ‘Moments in Unity’ 2LP, We Play House, 2022.
Aroma di Amore ‘Zwarte Doos’, folded A2 and 8-page booklet,
Onderstroom Records, 2022.
‘We Come One’
has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention.
For some it has become insufficient to have lived a moment, there needs to be proof of it.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.
Atomium Electronic Free Festival, identity, 2022.
Unselected logotype, MUGA Records, 2022.
Silkscreened patches in various sizes, Horst lab x HelloMe, 2021.
icw James L. Hublell
nacht, identity, 2019-2021.
Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, 2022.
more
WE COME ONE
The once-cherished experience of unity — present amongst likeminded spirits in a nightclub — has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention. For some it has become insufficient to have lived a moment, there needs to be proof of it. Even though there’d be no-one to doubt such experience.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.
Tramp Art Catalogue
90p. Ringbinder, A4, 2022.
more
Aroma di Amore — Zwarte Doos8p. Booklet 158 × 216 mm / Folded A2, 2022.
more
MM019 — To Become Liquid AgainCasette, 2022.
More
nacht season 5Poster, B2, 2021.
more
MUGA RecordsLogo, 2022.
More
nacht ‘Offworld Senses’
2-color Risograph, A3, 2021.
more
nacht
Logo, 2021.
more
HorstLab w/HelloMe Studio and Nadine GoepferPatches, various sizes, screenprint, 2019.
In collaboration with James L. Hubell
More
Eddie ‘Flashin’ Fowlkes — DeepcoverLogo, Vinyl / Centerlabels, 2022.
more
nacht season 4
Poster, B2, 2020.
more
Labora
Identity sketch, 2019.
more
Minima Docta: Matangi/Maya/M.I.A.
Poster, A0, 2019.
More
C12 BrusselsIdentity, 2021–2023.
More
Minima Docta: De SculpturaPoster, A0, 2019.
More
Minima Docta: 2 Sterke LUCA Ateliers
Poster, A0, 2019.
More
Uni Son — Moments in Unity Vinyl / Centerlabels, 2022.
more
Labora
Labora
Poster example and the accompanying grid behind it.
Animated example of the identity.
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Unused proposal for a flexible logo system.
Unused proposal for a flexible logo system.
2021
Logo Update and rebrand for Labora
The existing logo got incorporated within the new identity. The arch became the main theme, originating as a visual cue from within the historical building Labora resides but also as a metaphor for wisdom, since it is an architectural feature which holds a lot of knowledge.
A grid was developed on which compositions with arches can be made, adaptable for a wide range of visual output. Definitely looking forward to develop more of this project in the near future.
Typefaces: Signifier from @klim_type_foundry & Stolzl
Logo Update and rebrand for Labora
The existing logo got incorporated within the new identity. The arch became the main theme, originating as a visual cue from within the historical building Labora resides but also as a metaphor for wisdom, since it is an architectural feature which holds a lot of knowledge.
A grid was developed on which compositions with arches can be made, adaptable for a wide range of visual output. Definitely looking forward to develop more of this project in the near future.
Typefaces: Signifier from @klim_type_foundry & Stolzl