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Beautiful Freaks poster series, 2024.
Illustrations by the late Dries van den Bril, Nursena Topcuoğlu & Emma Caers






S U B, various printed matter 2024. 











Waking Life ‘Marca Te’, don’t call it merchandising, 2024.
icw Ward Vossaert, Liselotte Van Daele, Sam Gunst










Ciel ‘Sada’s Dream’, Suzie, 2024.















Adriaan De Roover & Lotte Dodion ‘To Become Liquid Again’, Midlife, 2022.











Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, AfterClub, 2022.












Tramp Art Catalogus, A4, Aboli Bibelot, 2023.
Photography by Jente Waerzeggers









C12, Identity, 2021-2023.









Unison ‘Moments in Unity’ 2LP, We Play House, 2022.












Aroma di Amore ‘Zwarte Doos’, folded A2 and 8-page booklet,
Onderstroom Records, 2022.














‘We Come One’

The once-cherished experience of unity — present amongst likeminded spirits in a nightclub — 
has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention.
For some it has become insufficient to have lived a moment, there needs to be proof of it. 
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.

To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.

Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.

4-color Risograph, A3, Edition of 35. 2023.











Atomium Electronic Free Festival, identity, 2022.









Unselected logotype, MUGA Records, 2022.
















Silkscreened patches in various sizes, Horst lab x HelloMe, 2021.
icw James L. Hublell








nacht, identity, 2019-2021.

Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, 2022.

more






WE COME ONE

The once-cherished experience of unity — present amongst likeminded spirits in a nightclub — has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention. For some it has become insufficient to have lived a moment, there needs to be proof of it. Even though there’d be no-one to doubt such experience.
   We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.

To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.

Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.

4-color Risograph, A3, Edition of 35. 2023.






Tramp Art Catalogue 
90p. Ringbinder, A4, 2022.

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Aroma di Amore — Zwarte Doos
8p. Booklet 158 × 216 mm / Folded A2, 2022.

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 MM019 — To Become Liquid Again
Casette, 2022.

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nacht season 5
Poster, B2, 2021.

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MUGA Records
Logo, 2022.

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nacht ‘Offworld Senses’
2-color Risograph, A3, 2021.

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nacht 
Logo, 2021.

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HorstLab w/HelloMe Studio and Nadine Goepfer
Patches, various sizes, screenprint, 2019.
In collaboration with James L. Hubell

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Eddie ‘Flashin’ Fowlkes — Deepcover
Logo, Vinyl / Centerlabels, 2022.

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nacht season 4
Poster, B2, 2020.

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Labora
Identity sketch, 2019.

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Minima Docta: Matangi/Maya/M.I.A.
Poster, A0, 2019.

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C12 Brussels
Identity, 2021–2023.

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Minima Docta: De Sculptura
Poster, A0, 2019.

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Minima Docta: 2 Sterke LUCA Ateliers
Poster, A0, 2019.

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Uni Son — Moments in Unity
Vinyl / Centerlabels, 2022.

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LD Family
2019-2021
The LD Family is an all-round serif font family, especially suitable for longer ranges of text setting. Its design started in 2019 as a revival project for LUCA School of Arts Ghent, the reference used to create the regular cut is called Light Dorsey from an unknown typecutter, it was found in a specimen of the American Type Founders Company. The revival has slightly different proportions such as smaller ascenders and more generous descenders to improve legibility at small sizes. The font has a robust character which is countered by more elegant curves in the italic.

Thanks to Frederik Berlaen for helping me in the early development.

The monospace style is a playful interpretation on the genre. It is a result from experiments to fill the fixed space to its maximum. At small sizes the extravagant details fade away making it suitable for both display typesetting and text type. It features slightly less OpenType features than the roman and italic versions.

    Supports:
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower, Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu

    OpenType:
ss01, ss02, dlig, liga, tnum, lnum, onum, pnum, smcp, sups, swsh

Typefaces available on request

© Otis Verhoeve 2023. All rights reserved.