Beautiful Freaks poster series, 2024.
Illustrations by the late Dries van den Bril, Nursena Topcuoğlu & Emma Caers
S U B, various printed matter 2024.
Waking Life ‘Marca Te’, don’t call it merchandising, 2024.
icw Ward Vossaert, Liselotte Van Daele, Sam Gunst
Ciel ‘Sada’s Dream’, Suzie, 2024.
Adriaan De Roover & Lotte Dodion ‘To Become Liquid Again’, Midlife, 2022.
Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, AfterClub, 2022.
Tramp Art Catalogus, A4, Aboli Bibelot, 2023.
Photography by Jente Waerzeggers
C12, Identity, 2021-2023.
Unison ‘Moments in Unity’ 2LP, We Play House, 2022.
Aroma di Amore ‘Zwarte Doos’, folded A2 and 8-page booklet,
Onderstroom Records, 2022.
‘We Come One’
has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention.
For some it has become insufficient to have lived a moment, there needs to be proof of it.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.
Atomium Electronic Free Festival, identity, 2022.
Unselected logotype, MUGA Records, 2022.
Silkscreened patches in various sizes, Horst lab x HelloMe, 2021.
icw James L. Hublell
nacht, identity, 2019-2021.
Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, 2022.
more
WE COME ONE
The once-cherished experience of unity — present amongst likeminded spirits in a nightclub — has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention. For some it has become insufficient to have lived a moment, there needs to be proof of it. Even though there’d be no-one to doubt such experience.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.
Tramp Art Catalogue
90p. Ringbinder, A4, 2022.
more
Aroma di Amore — Zwarte Doos8p. Booklet 158 × 216 mm / Folded A2, 2022.
more
MM019 — To Become Liquid AgainCasette, 2022.
More
nacht season 5Poster, B2, 2021.
more
MUGA RecordsLogo, 2022.
More
nacht ‘Offworld Senses’
2-color Risograph, A3, 2021.
more
nacht
Logo, 2021.
more
HorstLab w/HelloMe Studio and Nadine GoepferPatches, various sizes, screenprint, 2019.
In collaboration with James L. Hubell
More
Eddie ‘Flashin’ Fowlkes — DeepcoverLogo, Vinyl / Centerlabels, 2022.
more
nacht season 4
Poster, B2, 2020.
more
Labora
Identity sketch, 2019.
more
Minima Docta: Matangi/Maya/M.I.A.
Poster, A0, 2019.
More
C12 BrusselsIdentity, 2021–2023.
More
Minima Docta: De SculpturaPoster, A0, 2019.
More
Minima Docta: 2 Sterke LUCA Ateliers
Poster, A0, 2019.
More
Uni Son — Moments in Unity Vinyl / Centerlabels, 2022.
more
Holger Display
2020-2021
Work in progress typeface revival originated during my time in the Expert Class Type Design from Frank Blokland. It is based on type found (presumably from François Guyot) in the book ‘Les Ordonnances de l’Ordre de la Thoyson d’Or’, 1559. From the library at Plantin-Moretus.
It deals with patterning and unitization as Frank Blokland argues in his dissertation ‘On the Origin of Patterning in Movable Latin Type’.
Holger Display Roman is close to being done, however the family will get expanded with an Italic cut and corresponding text sizes based on the same proportions and unitization.
Work in progress typeface revival originated during my time in the Expert Class Type Design from Frank Blokland. It is based on type found (presumably from François Guyot) in the book ‘Les Ordonnances de l’Ordre de la Thoyson d’Or’, 1559. From the library at Plantin-Moretus.
It deals with patterning and unitization as Frank Blokland argues in his dissertation ‘On the Origin of Patterning in Movable Latin Type’.
Holger Display Roman is close to being done, however the family will get expanded with an Italic cut and corresponding text sizes based on the same proportions and unitization.