O.V. Graphic Design —— Typography
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Beautiful Freaks poster series, 2024.
Illustrations by the late Dries van den Bril, Nursena Topcuoğlu & Emma Caers



S U B, various printed matter 2024.



Waking Life ‘Marca Te’, don’t call it merchandising, 2024.
icw Ward Vossaert, Liselotte Van Daele, Sam Gunst

Ciel ‘Sada’s Dream’, Suzie, 2024.






Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, AfterClub, 2022.





Tramp Art Catalogus, A4, Aboli Bibelot, 2023.
Photography by Jente Waerzeggers



C12, Identity, 2021-2023.



Unison ‘Moments in Unity’ 2LP, We Play House, 2022.




Aroma di Amore ‘Zwarte Doos’, folded A2 and 8-page booklet,
Onderstroom Records, 2022.

‘We Come One’
has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention.
For some it has become insufficient to have lived a moment, there needs to be proof of it.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.



Atomium Electronic Free Festival, identity, 2022.

Unselected logotype, MUGA Records, 2022.



Silkscreened patches in various sizes, Horst lab x HelloMe, 2021.
icw James L. Hublell



nacht, identity, 2019-2021.

Smos & Baby Bee: Party Flyers and More
208p. Book, 230 × 295mm, 2022.
more

WE COME ONE
The once-cherished experience of unity — present amongst likeminded spirits in a nightclub — has oftentimes been replaced by a kaleidoscopic frenzy of competing technologies, vying for attention. For some it has become insufficient to have lived a moment, there needs to be proof of it. Even though there’d be no-one to doubt such experience.
We Come One is an ode to all dancers, spaces and collectives who truly understand the dynamics of the dance.
To have lived a moment, to have let it fade.
Only to relive them in the flesh again, another time.
Michael Bibi playing Insomnia by Faithless at Printworks, London, 30-12-2022.
4-color Risograph, A3, Edition of 35. 2023.

Tramp Art Catalogue
90p. Ringbinder, A4, 2022.
more

8p. Booklet 158 × 216 mm / Folded A2, 2022.
more

Casette, 2022.
More

Poster, B2, 2021.
more

Logo, 2022.
More

nacht ‘Offworld Senses’
2-color Risograph, A3, 2021.
more

nacht
Logo, 2021.
more

Patches, various sizes, screenprint, 2019.
In collaboration with James L. Hubell
More

Logo, Vinyl / Centerlabels, 2022.
more

nacht season 4
Poster, B2, 2020.
more

Labora
Identity sketch, 2019.
more

Minima Docta: Matangi/Maya/M.I.A.
Poster, A0, 2019.
More

Identity, 2021–2023.
More

Poster, A0, 2019.
More

Minima Docta: 2 Sterke LUCA Ateliers
Poster, A0, 2019.
More

Vinyl / Centerlabels, 2022.
more
C12









2021–Ongoing
A new graphic identity for C12, a nightclub located in the hearth of Brussels, under the Central Station.
The identity is based around typographic experiments in rhythm and sequence. Overlaying are opaque ‘stickers’ resembling pads in electronic music software.
Minor details of the old logo were changed to create a more coherent whole and to improve legibility at small sizes.
A new graphic identity for C12, a nightclub located in the hearth of Brussels, under the Central Station.
The identity is based around typographic experiments in rhythm and sequence. Overlaying are opaque ‘stickers’ resembling pads in electronic music software.
Minor details of the old logo were changed to create a more coherent whole and to improve legibility at small sizes.
© Otis Verhoeve 2023. All rights reserved.